Music aesthetics, what is that?
Three new essays
Michael Rebhahn
In New Music reigns the need for aesthetic safety barriers. Three authors come to the rescue: Gunnar Hindrichs, Ernst Helmuth Flammer and Wolfgang-Andreas Schultz. A reading of their recently published book opens to very diverse techniques, methods and motivations aimed at the aesthetic or philosophical grasp of musical phenomena, and delivers first leads towards a typology of the contemporary music debate.
