Publikationssprachen der DISSONANCE sind Deutsch, Englisch, Französisch und Italienisch. Alle Artikel werden in ihrer Originalsprache publiziert, zu den Hauptartikeln stehen jedoch Abstracts in allen vier Sprachen zur Verfügung. Durch manuelle Sprachwahl können Sie sich zwar allgemeine Inhalte dieser Webseite in der gewünschten Sprache anzeigen lassen, die Artikel werden jedoch weiterhin in ihrer Originalsprache erscheinen.

   

Les langues de publication de DISSONANCE sont l'allemand, l'anglais, le français et l'italien. Tous les articles seront publiés dans la langue originale de rédaction, avec, pour les articles principaux, des abstracts à disposition dans les quatre langues. Cette page Web dispose de quatre langues à choix, et son contenu s'affiche dans la langue choisie. Les articles, toutefois, apparaissent toujours dans leur langue originale respective.

   

La rivista DISSONANCE pubblica in lingua Francese, Inglese, Italiana e Tedesca. Gli articoli sono accessibili in lingua originale, tuttavia per quelli principali sono previsti Abstracts nelle quattro lingue di pubblicazione. Grazie alla selezione manuale della lingua è possibile visualizzare i contenuti generali di questo sito Web nella lingua desiderata mentre gli articoli resteranno comunque disponibili in lingua originale.

   

Languages of publication of DISSONANCE are English, French, German, and Italian. All articles are published in their original language, the main articles being complemented by abstracts in all four languages. Manual language choice allows you to display this web page in the desired language. However, the articles always remain in their original language.

   

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Benoît and the Mandelbrots: the Live Coding Band from Karlsruhe

The laptop band “Benoît and the Mandelbrots” from Karlsruhe is dedicated to “live coding”, where sounds and structures are programmed live. This portrait illuminates the multifaceted activities of its musicians, from composing music for silent films to club gigs as well as their use of improvisation and the programming language “SuperCollider”. Furthermore, the development and aesthetic ideas behind live coding are sketched out.